Media & creative
Every master, cut and deliverable in one controlled library.
Cloud storage for production companies, agencies and media teams, with version history, client review links and an archive that does not block the next project.
- Large-file storage by plan
- Version history
- Expiring client links
4.2 TB of 10 TB usedOutbound transfer shown separately
Illustrative production library. Project names, file sizes and dates are examples.
Production reality
Four problems every studio knows
Creative work is not short of storage options. It is short of a single place where the right version is easy to find and the client sees only what was sent.
Masters do not fit the usual quota
Camera originals, proxies and exports grow faster than a team drive. Capacity has to be planned, not discovered at the end of a shoot.
The final cut has five finals
Edits circulate by email and chat. Without version history, nobody can prove which file the client actually approved.
Client access is too broad
A shared folder exposes every deliverable to every client. Review access should be limited to the files and the dates that matter.
Old projects block new work
Completed productions stay on expensive working storage because moving them feels risky and no one owns the decision.
Project lifecycle
Ingest, organise, share, archive
A production moves through four storage states. Each one has a different audience and a different retention rule.
- 01
Ingest
Camera originals, audio and graphics land in a project folder with a clear owner and naming convention.
- 02
Organise
Separate masters, proxies, project files and exports. Versions are preserved as the edit progresses.
- 03
Share
Send reviewers a protected link to the files they need, with an expiry date and download permission you choose.
- 04
Archive
Move completed productions to an archive area, retain the master and the paperwork, and release working capacity.
A link is not a delivery format
Everabyte shares the files you upload. It does not transcode video, generate adaptive streams or replace a broadcast delivery platform.
What the workspace does
Built for files, not for rendering
Storage, transfer and access control are the job. Processing and delivery belong to the tools your team already uses.
- Capacity by plan. Storage and transfer quotas are defined per plan, so a production can be sized before the shoot.
- Version history. Earlier cuts remain available when a file is overwritten or replaced.
- Review links with limits. Password, expiry date, maximum unique visitors and download permission are set per link.
- Access you can review. Views and downloads are recorded where audit logging is included; links can be revoked at any time.
Originals camera and audio mastersWorking
Versions edits and project filesRetained
Review protected client linksExpiring
Archive completed productionsLong term
Quotas defined by planNo CDN claim
Who it is for
Four teams, one library
The folder model differs between a production company, an agency and a broadcaster. The access rules should follow the same logic.
Production companies
Keep footage, sound and delivery paperwork together per production, with access for crew and post partners.
Agencies and studios
Store campaign assets, brand libraries and client approvals in one place instead of a folder per account manager.
Broadcast and media
Retain programme files, rights documentation and archive material with folder-level access rules.
In-house creative teams
Give marketing, product and legal a single source for approved assets, without opening the production drive.
Clear boundaries
Storage, transfer and delivery are different things
Media teams ask precise questions. These are the answers this product can support.
Storage
Files live in folders with versions, permissions and an archive area. Capacity and transfer quotas are set by plan.
Transfer and sharing
Files move over TLS 1.3 and can be shared through protected links with expiry and download limits.
Not claimed
No built-in CDN, adaptive bitrate streaming, automatic proxy generation or native Adobe/Avid integration is claimed on this page.
Plan the archive before the shoot
Decide what stays online, what moves to archive and what can be deleted. That single decision usually saves more capacity than any compression setting.
Size the library around your next production
Tell us the volume you generate per project, how long you must keep masters and who needs review access. We will propose a storage and archive model.
No unlimited storage, CDN or transcoding capability is implied by this page.